Alia Bhatt: ‘Alia entrusted me with her home’: ‘Dhurandhar’ designer Rupin Suchak reveals how Alia Bhatt changed his interior design career after noticing her design skills at R Balki office | Hindi Film News


'Alia entrusted me with her home': 'Dhurandhar' designer Rupin Suchak reveals how Alia Bhatt changed his interior design career after noticing R Balki's design skills at the office
Production designer Rupin Suchak, known for films like Go Goa Gone and Dhurandhar, reveals how designing Alia Bhatt’s home changed his career and opened doors for interior design. He reflects on the contrasting needs of film sets and homes, emphasizing that his core goal – to create memorable emotional spaces – remains the same across mediums.

Rupin Suchak is an accomplished production designer, known for his work on films like Go Goa Gone (2013), Happy Ending (2014), Dear Zindagi (2016), Pad Man (2018) and Khel Khel Mein (2024). He also lent his expertise as additional production designer to the critically acclaimed Durandhar (2025) and Revenge of Durandal (2025). In addition to his film work, Lupine became a skilled interior designer.

Rupin Suchak Alia Bhattrole in his career change

In a conversation with Mumbai Mirror, he talks about how Alia Bhatt played a key role in steering him towards interior design, which eventually became an important part of his work. Rupin Suchak shares, “After almost five years of production design, when I was commissioned to design filmmakers (R) Balki and Gauri Shinde. That first project changed the direction of my career. During the project, Alia Bhatt visited the office and reacted strongly to the design. Soon after, she commissioned me to design her home. This project opens a new chapter. One commission led to another and before long interior design became a major part of my practice”.

Rupin Suchak on the difference between a movie set and a home

In the same conversation, Lupine admitted that creating a space for a film was a completely different challenge than designing someone’s actual home. He noted, “I often joke that I’ve spent most of my career building worlds that people either live in for years or encounter on screen for two seconds. Ironically, the biggest challenge in moving from a movie set to home is not creativity, but patience. Filmmaking deadlines are relentless.” Interior design requires long conversations, planning, collaboration, and attention to how people actually live. “He concludes: “Whether I’m making a film, an ad, or a home, the goal remains very similar. I want people to feel something. The medium has changed. The stories have changed. But my desire to create memorable worlds has not.”



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